Heres one for you!???

[terrybullwon]

The colours of A and B are the same



Dont believe me? stick it in photoshop

[Al Wyn]

That must be 1998 then James

[terrybullwon]

Nope 107

[Al Wyn]

r u sure ????????????

[s2_bo]

? do you mean the letters or the squares?

Doesnt look the same to me.

[Al Wyn]

James????????????

[terrybullwon]

The squares,

Put it in photoshop, i am not sure if paint has the same tool but it will give the same colour.

[Dan_s2_coupe]

107

it dont make sense tho

[s2_bo]

Dam your right as well:
#6B6B6B

[terrybullwon]

Dam your right as well:
#6B6B6B

I did check about 10 times

Mad eh?

[Dan_s2_coupe]

its wierd its unexplainable lol

[4WheelDrifter]

It's already been discussed here.

[Jamo]

Basic Biology of the rod and cones in the eyes, they have problems identifying black and white very close.

Woman have more rod and cones in the eyes and therefore have better colour recognition

[Nuvo]

Here's some quick visual proof that the squares are identical shades of grey:

And here the rationale behaind the illusion:

The visual system needs to determine the color of objects in the world. In this case the problem is to determine the gray shade of the checks on the floor. Just measuring the light coming from a surface (the luminance) is not enough: a cast shadow will dim a surface, so that a white surface in shadow may be reflecting less light than a black surface in full light. The visual system uses several tricks to determine where the shadows are and how to compensate for them, in order to determine the shade of gray "paint" that belongs to the surface.

The first trick is based on local contrast. In shadow or not, a check that is lighter than its neighboring checks is probably lighter than average, and vice versa. In the figure, the light check in shadow is surrounded by darker checks. Thus, even though the check is physically dark, it is light when compared to its neighbors. The dark checks outside the shadow, conversely, are surrounded by lighter checks, so they look dark by comparison.

A second trick is based on the fact that shadows often have soft edges, while paint boundaries (like the checks) often have sharp edges. The visual system tends to ignore gradual changes in light level, so that it can determine the color of the surfaces without being misled by shadows. In this figure, the shadow looks like a shadow, both because it is fuzzy and because the shadow casting object is visible.

The "paintness" of the checks is aided by the form of the "X-junctions" formed by 4 abutting checks. This type of junction is usually a signal that all the edges should be interpreted as changes in surface color rather than in terms of shadows or lighting.

As with many so-called illusions, this effect really demonstrates the success rather than the failure of the visual system. The visual system is not very good at being a physical light meter, but that is not its purpose. The important task is to break the image information down into meaningful components, and thereby perceive the nature of the objects in view.

[Nuvo]

Here's another two to melt your mind: